Book

Franco, F. Generative Systems Art: the work of Ernest Edmonds. Routledge, Abingdon Oxford. 2017 [paperback 2019].

Articles

Mladentseva, A. (2025) “What does conserving the digital look like?” The V&A Blog, https://www.vam.ac.uk/blog/projects/what-does-conserving-the-digital-look-like (accessed 13th November 2025).

Mezenes, C. “Ernest Edmonds – interview: ‘The technology didn’t make it easy at the time, but it was clearly right for the future’” Studio International. 2025. https://www.studiointernational.com/index.php/ernest-edmonds-interview-networked-gazelli-art-house-london

Mason, C. “Amplified or Superseded?” Tickle, #80. pp 25-26. https://assets.objkt.media/file/assets-003/Qmb8edPYSae8DFSUvDhxqk4b5GushuQoj4c8YjkBgjiyXt/artifact

Franco, F. “Interview with Ernest Edmonds” in Franco, F. The Algorithmic Dimension: Five Artists in Conversation, Springer, London. 2022. pp23-51.

Burbano, A. "Imagination, Indigeneity, and Computation: The SIGGRAPH 2018 Art Gallery". Arts, 9(1), 18. 2020.

Irish, S. "Generating Art in Symbiotic Systems: A review of Francesca Franco, Generative Systems Art: The Work of Ernest Edmonds". Media-N | The Journal of the New Media Caucus. 15(1), 2019. pp 96-100.

Candy, L. “Primary Codes: Artists making art with code”. In Menezes, C. and Poltronieri, F, A. Códigos Primordiais. Vosmos, Rio de Janeiro, 2017. pp 71-79.
Murialdo, M. “Algorithmic Signs Fondazione Bevilacqua La Masa / Venezia”, Flash Art. 2017.

Franco, F. “Re-shaping new challenges - the origins and future of a series of interactive generative artworks by British artist Ernest Edmonds, 1980s-2000s,” in Acoustic Space 14 Data Drift, Smite, R., Smits, R., and Manovich, L. (Eds.), RIXC, The Center for New Media Culture, Riga. 2015, pp 100-104.

Nunez, G. A. “Primary Codes”. Studio International. 2015.

Franco, F, “Disruptive Systems and Organizing Principles in Generative Art: Two cases (1980-ongoing) by Ernest Edmonds,” Proceedings of the 21st International Symposium on Electronic Art, Vancouver, August 2015.

Ings, S. “Changing the rules”. New Scientist. 223. 2014. p47.

Franco, F. “Exploring Creative Intersections: Ernest Edmonds and his time-based generative art,” Digital Creativity, Vol.24, No.3, 2014. pp 222-236.

Gallasch, K. “Painting by Algorithms”. Real Time . 2013.

Franco, F, “Documenting Art as Art: the case of Notes (2000-ongoing) by British artist Ernest Edmonds,” Visual Resources - An International Journal of Documentation, Vol. 29, No. 4, 2013. pp 333-352.

Mason, C. “Colour computation”. Computer Art Image of the Month. BCS, London. 2013.

Quaintance, M. “Ernest Edmonds, Manfred Mohr and Digital Aesthetic 3”. Rhizome, 2012.